In the vast discography of Sir Elton John, where each album feels like a chapter in an epic musical saga, there's a lesser-known gem that often gets overshadowed by its more flamboyant siblings. "Friends," released in 1971, is not just an album; it's a soundtrack, a companion to the film of the same name. And while it might not have the grandeur of "Goodbye Yellow Brick Road" or the pop appeal of "Rocket Man," it holds its own with a charm that's uniquely Elton.

Let’s have a quick look into this often-overlooked chapter in Elton's career.

From the get-go, the title track "Friends" sets the tone. It's a gentle, melodic ode to friendship, capturing the innocence and naivety of youth. There's a simplicity to the arrangement, a stark contrast to the more elaborate productions Elton would later be known for. But that's the beauty of it. It's raw, real, and relatable.

Tracks like "Michelle's Song" and "Seasons" further delve into themes of love, loss, and the passage of time. There's a wistfulness to the lyrics, penned by Bernie Taupin, that resonates even today. It's a reminder that before the glitz and glamour, Elton was, at his core, a storyteller.

For the regulars at The Record Lounge, "Friends" is a trip down memory lane. It's a snapshot of a time when music was more than just beats and hooks; it was about emotions, narratives, and, well, friends.

And speaking of trips, don't forget our weekly Facebook Friday night auction. Starting every Friday at 5pm (AST) and wrapping up by 5pm Saturday, it's a treasure trove for vinyl enthusiasts. Dive in, and who knows, you might just stumble upon a vintage Elton John record waiting to be spun.

In the end, "Friends" stands as a testament to Elton John's versatility. It might not have the chart-topping hits, but it has heart, soul, and melodies that linger long after the record stops spinning. And in today's fast-paced world, that's a rarity worth cherishing.

Don’t forget to pop by The Record Lounge this week and say “Hi” to Adam, our unstoppable and unflappable tea-rista extraordinaire, who’ll transform Camellia sinensis leaves into a mystical art form, blending his enigmatic charm with infusion alchemy, captivating patrons with each brew.

In the vast landscape of rock 'n' roll, where legends are often born on studio floors, there's a particular album that defies this norm. "Waiting For Columbus," Little Feat's 1978 live double album, isn't just a record; it's an event. And while live albums often play second fiddle to their studio counterparts, this one stands tall, capturing the raw energy and prowess of Little Feat in their prime.

From the opening strains of "Join the Band" to the closing notes of "Feats Don't Fail Me Now," there's an electric energy that courses through the album. It's not just the sound of a band playing live; it's the sound of a band at the peak of their powers, feeding off the audience's energy and giving it back tenfold.

Tracks like "Dixie Chicken" and "Tripe Face Boogie" are not just performed; they're inhabited. The intricate interplay between guitars, the tight rhythm section, and the soulful vocals make it clear why Little Feat was often hailed as one of the best live acts of their time.

But it's not all high-octane rock. "Willin'," with its introspective lyrics and mellow arrangement, showcases the band's versatility, proving that they can tug at heartstrings as effectively as they can get feet tapping.

For the discerning patrons of The Record Lounge, "Waiting For Columbus" is more than just a live album. It's a masterclass in musicianship, a testament to the magic that can happen when a band and its audience become one.

And as you immerse yourself in the southern grooves of Little Feat, don't forget our weekly Facebook Friday night auction. Starting every Friday at 5pm (AST) and concluding by 5pm Saturday. Dive deep, and perhaps you'll unearth gems like "Waiting For Columbus."

In the grand tapestry of rock, Little Feat's live magnum opus stands as a reminder of the power of live music, the communion between artist and audience, and the magic that can happen when the two collide. It's not just waiting for Columbus; it's waiting for that perfect musical moment. And with this album, that moment arrives again and again.

And remember to pop by Eastern Tea Bar and Friends this week to peruse the vinyls and try some of the finest teas, infused by our very own tea-rista Adam Scott.

In the ever-evolving tapestry of rock, where guitar riffs meet rhythmic beats, there's a particular album that stands as a testament to the fusion of cultures and sounds. "Amigos," released in 1976, isn't just another Santana record. With our critic’s hat on, let's delve into this musical concoction that's as spicy and varied as a Latin American street market.

From the get-go, "Amigos" feels like a departure. It's Santana, yes, but there's an audacious blend of jazz fusion, rock, and Latin rhythms that feels both fresh and familiar. The opening track, "Dance Sister Dance (Baila Mi Hermana)," is a clear indicator of the album's intent. It's not just a song; it's an invitation to move, to feel, to immerse oneself in the music.

But what truly sets "Amigos" apart is its unabashed embrace of diversity. "Take Me With You" feels like a sultry summer evening, while "Tell Me, Are You Tired" leans into jazz, showcasing Santana's versatility. And then there's "Europa (Earth's Cry Heaven's Smile)," a track that, in true Santana fashion, melds soulful guitar solos with a haunting melody.

For the discerning listeners at The Record Lounge, "Amigos" is more than just a vintage find. It's a musical journey, a testament to Santana's ability to transcend genres and create something truly unique.

And while we're on the topic of unique finds, don't forget our weekly Facebook Friday night auction. It's a veritable smorgasbord of vinyl treasures, kicking off every Friday at 5pm (AST) and concluding by 5pm Saturday. Who knows, you might just find another gem like "Amigos" waiting to be spun.

In the end, "Amigos" is more than just an album. It's a statement, a celebration of music's ability to bring people together, transcending borders and genres. And in today's fragmented world, that's a message worth dancing to.

Drop by The Record Lounge Wednesday through Sunday to see vintage, collectible, and just groovy albums. We’re at 2093 Gottingen Street, Halifax.

Step into the arena where beats boom, rhymes ricochet, and the unmistakable sound of the Fat Boys reigns supreme. "Crushin'", their 1987 offering, isn't just an album; it's a seismic shift in the hip-hop landscape, a testament to the larger-than-life presence of this iconic trio.

From the pulsating beats of "Falling in Love" to their legendary collaboration with The Beach Boys on "Wipeout", this album is a rollercoaster of rhythms, a fusion of old-school hip-hop with a sprinkle of pop culture panache. It's audacious, it's bold, and it's quintessentially Fat Boys.

For the hip-hop heads frequenting The Record Lounge, "Crushin'" is more than just a blast from the past; it's a masterclass in rap royalty. It's a nod to a time when hip-hop was finding its voice, and the Fat Boys were at the forefront, leading the charge with their unique blend of humor, heart, and heavyweight beats.

And once you've basked in the brilliance of "Crushin'", there's another adventure awaiting. The Facebook Friday night auction, a vinyl vault of musical marvels, kicks off every Friday at 5pm (AST) and draws to a close by 5pm Saturday.

But the sonic soiree doesn't end there. After diving deep into the world of the Fat Boys, let Adam, our tea maestro at The Record Lounge, affiliated with the Eastern Tea Bar and Friends, transport you to a realm of relaxation. With every brew, he melds tradition with a touch of modern magic, crafting cups that complement the cacophony of "Crushin'" with serene sips.

So, are you ready for a hip-hop hootenanny? Between the Fat Boys' fierce flows and Adam's tantalizing teas, a world of rhythm and refreshment awaits. Step up, tune in, and let the beat drop!